Sing Me A Song: The Impact of Screens on a Remote Bhutanese Mountain Village
Nina Müller
12 January 2021
Can Buddhism and culture survive in a globalized Bhutan?
Buddhist-Influenced Filmmaking in an Extraordinary Time: An Interview with Gaetano Maida
Daniel Millet Gil
22 December 2020
A discussion on the landscape of Buddhist-themed movies
Precious Guru: Tracing the Wild and Sacred Legacy of Padmasambhava
Craig C Lewis
16 June 2020
Transformation and transcendence on the…
Female Tibetan Filmmaker Wins Three Awards at My Hero International Film Festival
Craig C Lewis
30 December 2019
Documentary offers an intimate look at the bond between…
Butsuzo in the 21st Century: Promoting the 1,400-year-old Japanese Tradition of Buddhist Sculpture on Social Media
Nina Müller
5 November 2019
Ancient practices find new life through modern…
Carving the Divine: The Vocation of Japanese Buddhist Woodcarving
Raymond Lam
14 August 2019
Presenting one of Japan’s unique spiritual arts to the…
The Dalai Lama – Scientist to Premiere at 76th Venice International Film Festival
Craig C Lewis
2 August 2019
New documentary explores the Dalai Lama’s personal…
Bhikkhunī – Buddhism, Sri Lanka, Revolution: A Film on the Epicenter of Theravada Female Ordinations
Raymond Lam
2 April 2019
An interview with Polish-born filmmaker Małgorzata…
Searching for the Lotus-Born Master: Following the Father of Vajrayana Buddhism’s Journey Across the Himalayas
Nina Müller
27 February 2019
A review of Laurence Brahm’s documentary on…
Body and Mind in Chinese Martial Arts: A Conversation with Xu Xiangdong
Guoying Stacy Zhang
21 August 2018
The significance of traditional Chinese…
Film Review: Walk with Me – A Welcome Break from Stressful City Life
Anne Wisman
15 September 2017
A joyful, meditative cinematic journey into the monastic life…
Dharma Screenings: Buddhist Film and Pop Culture—Bringing Buddhism to Creative Media
Raymond Lam
17 July 2015
In this three-part series, we explore the Buddhist presence in pop culture media. We first reviewed Toei Animation’s Buddha 2, and in our second entry we