“No other people on earth, Watson, has produced such intricate beauty in as small a space as the Valley of Katmandu. One trenchant observer has
A most amazing mural is painted on a six-meter-high cylinder on the second floor of Dungtse Lhakhang in Paro, Bhutan. The temple was designed by
The organization I direct, Core of Culture, which had already worked with Tantric Buddhist monks in other parts of the Himalayas, was invited to undertake
The transmission of Buddhist art from India to China is a fascinating topic. Indeed, how did pious and profound art, along with a complex belief
One of the most widely practiced of all Japanese art forms is ikebana, or flower arrangement. The word “ikebana” literally means “living flowers,” suggesting that while
Spirit is without name, without form. Spirit does not occupy a specific place, but is everywhere at the same time. Spirit is beyond of the
James Sanford and his colleagues in their wonderful volume Flowing Traces (Sanford et al 1992, p.3) point out that “Buddhism’s beginnings in Japan had the arts at
Qianfo’an (千佛庵), the Temple of One Thousand Buddhas, better known as Xiaoxitian (小西天) or the Little Western Paradise, is located in present-day Xi County, Linfen
Japan’s esoteric Buddhist traditions boast a rich and diverse array of imagery, ranging from figures of individual deities to elaborate mandalas depicting specific deity families
The exploration of the relationship between creative writing—especially poetry—and Dharma practice carries with it a multitude of questions. Can such writing be considered a part of
The pagodas of Myanmar are tangible, physical expressions of the vast accumulations of merit (Burmese: kutho, also known as hpon) by the Buddhist communities that support
A fuzzy-furred gibbon seated on a rugged boulder reaches an arm out over a rushing river and tries to scoop up the reflection of the
